15. Festival of Traditional
and Avantgarde Music
CODES

24-28 May 2023

PROGRAM - Audrey CHEN SOLO (hyper-extensions for voice and analog electronics)

Audrey CHEN SOLO (hyper-extensions for voice and analog electronics)

27 May 2023 / Saturday / 21:00

9 Zlota St. The Dominican Friars’ Monastery

Programme:

Audrey Chen has created an uncompromising and idiosyncratic music, tightly disciplined yet acoustically wild and heavy with implication. Her ultra-verbal vocalising, often reminiscent of the visceral and emotionally charged sound poetry of François Dufréne or Henri Chopin, exposes physiological aspects of utterance that are concealed within standardised articulation and day to day speech. Fleshy, breath-driven and flecked with spittle, Chen’s voice emanates not just from her mouth but from an ensemble of upper body surfaces, channels, passages, and cavities.

__Julien Cowley, THE WIRE

Audrey CHEN is a 2nd generation Chinese/Taiwanese-American musician who was born into a family of material scientists, doctors and engineers, outside of Chicago in 1976. Parting ways with the family convention, she turned to the cello at age 8 and voice at 11. After years of classical and conservatory training in both instruments, with a resulting specialization in early and new music, she parted ways again in 2003 to begin new negotiations with sound in order to discover a more individually honest aesthetic. Since then, using the cello, voice and occasional analog electronics, Chen’s work delves deeply into her own version of narrative and non-linear storytelling. A large component of her music is improvised, is completely non-processed and her approach to this is extremely personal and visceral.

Her playing explores the combination and layering of an analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language.For nearly two decades, her predominant focus has been her solo work with the cello, voice and electronics, but she has more recently begun to shift back towards the exploration of the voice as a primary instrument.

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Projekt „BIT20” został dofinansowany z Funduszy Europejskiego Obszaru Gospodarczego w ramach Działania 2. „Poprawa dostępu do kultury i sztuki”.

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